The unveiling of the official poster for the upcoming Paris Olympics Games stirred up a whirlwind of controversy within just 24 hours of its release. Critics, particularly from conservative circles in France, have fiercely condemned the poster’s glaring omission of the cross from Napoleon’s tomb atop the Domes des Invalides. This exclusion has been interpreted as a departure from established tradition and a capitulation to perceived political correctness, triggering intense debate over the preservation of France’s cultural and historical heritage.

Amidst the anticipation leading up to the global sporting spectacle scheduled from July 26 to August 11, followed by the Paralympics starting on August 28, discussions surrounding the poster have unexpectedly taken centre stage, igniting a firestorm of dissent among conservative voices in France. Is this relegation of France’s biggest vestige – the flag, a flagrant or just creative liberty done hurriedly? Read on.

Backlash over iconic landmarks in Paris Olympics promotional posters

Renowned French artist Ugo Gattoni unveiled his masterful promotional posters for the upcoming Paris Olympics, showcasing iconic landmarks like the Eiffel Tower, the Grand Palais, and Les Invalides. However, the omission of the cross atop the building housing Napoleon’s tomb sparked intense criticism from right-wing figures like Francois Xavier Bellamy and Marion Marechal. Bellamy accused the designers of distorting reality to erase France’s history, while Marechal questioned the purpose of hosting the Olympics if it meant concealing the nation’s identity.

In response to the controversy, Gattoni defended his artistic choices, explaining that he aimed to create recognizable yet surreal illustrations, free from ulterior motives. However, despite these reassurances, the controversy persists, with conservative voices on social media decrying what they perceive as a deliberate erasure of the country’s deeply rooted Catholic identity.

Outrage explodes over posters 

Amidst the multitude of comments, several stood out. One user questioned, “Hello, Where did the cross at the summit of the disabled pass…????“ This inquiry pointedly addressed an apparent discrepancy in the portrayal of religious symbolism. Another commenter expressed their dismay with succinct clarity, remarking, “Cultural erasure in full swing I see…..“A third voice added a touch of sarcasm and scepticism, stating, “Didn’t know there was an arrow in the handicap dome… Not a tricolor flag! Is this a promo for Disney or the Olympics in France?”

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Another user emphasized the importance of accuracy in cultural representation, asserting, “And the French flag and the cross on the dome of the disabled…? you don’t know Paris sir it’s a big mistake.” Finally, a commenter voiced their dissatisfaction with the overall portrayal, criticizing, “And the crosses where is she? If you don’t know how to reproduce buildings, cultural or religious edifices then refrain from it!!! Back to school for a new bringing of study! Already it’s ugly but besides nothing is accurate.“ Together, these comments highlighted a collective concern for accuracy, cultural sensitivity, and authenticity in artistic representations.

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